Crime
reporter with the Berliner Tageblatt,
Hannah Vogel, masquerades under the name Peter Weill to disguise the fact that
the tough-writing hardened journalist is really only a woman, while her brother
Anton disguises his manhood in the guise of a flamboyant cross-dressing lounge
singer performing in the fashionable gay clubs of Berlin in the early 1930s.
When
Hannah recognizes her brother’s photograph on display in the Hall of The
Unnamed Dead in the basement of the Berlin police station, she is thrown in a
mystery. It will take every ounce of the investigative reporter she really
wants to be in order to discover how her younger
brother’s body ended up in the river and placed alongside all the other
unidentified bodies found by the police.
Fired
from her job and on the run from Hitler’s storm troopers, her investigation
leads her to top ranking gay Nazi party leaders such as Ernst Rohm. She
attempts to blackmail Rohm over sexually graphic letters she discovered in her
brother’s possession in order to coerce the truth while kidnapping a young boy
that Rohm is using in order to present his more austere front. Historically correct in the treatment of its
setting from places to dates and politics to dramatics, “A Trace of Smoke”
sucks you in like an unfiltered cigarette, burns as you breathe it out, but
ultimately satisfies like only a true mystery can.
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